1
00:00:02,294 --> 00:00:03,587
DOCTOR: ALL RIGHT.
WHAT DO WE GOT?

2
00:00:03,629 --> 00:00:04,839
34-YEAR-OLD MALE,

3
00:00:04,880 --> 00:00:06,340
PENETRATING
SHARP FORCE TRAUMA,

4
00:00:06,381 --> 00:00:07,758
DECREASED BREATHING SOUNDS
ON THE RIGHT.

5
00:00:07,800 --> 00:00:09,343
WE NEEDLED HIS CHEST
AND INTUBATED IN THE FIELD.

6
00:00:09,384 --> 00:00:11,553
EXTENSIVE BLOOD LOSS.
DO YOU KNOW HIS BLOOD TYPE?

7
00:00:11,595 --> 00:00:13,514
NO. UM, I CAN CALL--

8
00:00:13,555 --> 00:00:14,598
DOCTOR: RUN BLOOD TYPE
AND CROSS-MATCH

9
00:00:14,640 --> 00:00:15,766
AS SOON AS WE GET
IN THERE.

10
00:00:15,808 --> 00:00:17,309
IS HE ALLERGIC
TO ANY MEDICATIONS?

11
00:00:17,351 --> 00:00:18,894
I DON'T--I DON'T
THINK SO.
IS HE GONNA LIVE?

12
00:00:18,936 --> 00:00:20,395
WE'RE GONNA DO
EVERYTHING WE CAN.

13
00:00:31,031 --> 00:00:32,031
ALL RIGHT. ON 3.

14
00:00:32,073 --> 00:00:33,283
1, 2, 3.

15
00:00:36,453 --> 00:00:37,621
BAG HIM.

16
00:00:39,206 --> 00:00:40,582
I'LL ALERT
THE O.R.

17
00:00:40,624 --> 00:00:42,250
ALL RIGHT.
LET'S ROLL HIM.

18
00:00:45,170 --> 00:00:47,673
12-CENTIMETER LACERATION
RIGHT POSTERIOR THORAX,

19
00:00:47,715 --> 00:00:49,800
10-CENTIMETER
LEFT POSTERIOR THORAX,

20
00:00:49,842 --> 00:00:51,635
14-CENTIMETER LACERATION.

21
00:00:51,677 --> 00:00:54,513
START MASSIVE TRANSFUSION
PROTOCOL STAT!

22
00:00:57,725 --> 00:00:59,100
MAX.

23
00:01:10,320 --> 00:01:11,363
OK.

24
00:01:13,991 --> 00:01:15,200
IT'S GONNA BE
ALL RIGHT.

25
00:01:26,336 --> 00:01:28,047
RYAN: YEAH. OK.

26
00:01:28,087 --> 00:01:29,840
I'LL--I'LL CALL
YOU BACK.

27
00:01:29,882 --> 00:01:31,174
AGENT HARDY, WHERE
DO YOU WANT US?

28
00:01:31,216 --> 00:01:33,468
I NEED 3 AGENTS
OUTSIDE O.R. 3.

29
00:01:33,510 --> 00:01:35,387
THE REST OF YOU CAN
SECURE THIS WING.

30
00:01:35,429 --> 00:01:37,598
WORK WITH HOSPITAL SECURITY.
PULL RANK IF YOU HAVE TO.

31
00:01:37,639 --> 00:01:39,558
MIKE IS VULNERABLE, OK?

32
00:01:39,600 --> 00:01:42,269
THEO IS GOING TO BE
TARGETING US.

33
00:01:42,310 --> 00:01:44,145
I WANT YOU TO BE READY
FOR ANYTHING.

34
00:01:44,187 --> 00:01:45,940
OK.

35
00:01:45,981 --> 00:01:47,106
BROOKS.

36
00:01:49,192 --> 00:01:52,153
THEO HACKED
INTO OUR SYSTEM.

37
00:01:52,195 --> 00:01:54,113
I DON'T WANT ANY
OF OUR PROTECTION PROTOCOLS

38
00:01:54,155 --> 00:01:55,574
ON THE FBI SERVER.

39
00:01:55,616 --> 00:01:57,200
GOT IT. WHAT ABOUT
THE HOSPITAL?

40
00:01:57,242 --> 00:01:58,994
MIKE'S OFF-BOOK.
NO ONE OUTSIDE THE STAFF

41
00:01:59,036 --> 00:02:00,370
KNOWS HE'S HERE.

42
00:02:00,412 --> 00:02:01,914
LET'S DOUBLE UP
ON GWEN'S DETAIL,

43
00:02:01,956 --> 00:02:03,791
AND MAX DOES NOT
GO HOME ALONE.

44
00:02:03,832 --> 00:02:05,584
DOZENS OF AGENTS
HAVE WORKED THIS CASE.

45
00:02:05,626 --> 00:02:06,752
HE COULD TARGET
ANY ONE OF US.

46
00:02:06,794 --> 00:02:07,920
OK. SO WE MAKE A LIST,

47
00:02:07,962 --> 00:02:09,088
AND WE MAKE SURE
EVERYBODY'S COVERED.

48
00:02:09,128 --> 00:02:10,338
WHAT ABOUT
AUNT JENNY?

49
00:02:10,380 --> 00:02:11,465
OH. MY SISTER
JENNIFER HARDY.

50
00:02:11,506 --> 00:02:13,341
SHE'S IN MIAMI,
SHE HAS A DETAIL,

51
00:02:13,383 --> 00:02:14,509
BUT I WANT HER
IN PROTECTIVE CUSTODY.

52
00:02:14,551 --> 00:02:15,594
WILL DO.

53
00:02:15,636 --> 00:02:17,554
HI.

54
00:02:17,596 --> 00:02:19,431
HOW IS HE?

55
00:02:19,473 --> 00:02:21,433
THEY WON'T TELL
US ANYTHING.

56
00:02:21,475 --> 00:02:23,644
MAX, HAS ANYONE
TAKEN A LOOK AT YOU?

57
00:02:26,814 --> 00:02:28,899
UM, WHY DON'T WE
GET YOU CLEANED UP?

58
00:02:28,941 --> 00:02:31,150
I'LL FIND YOU
A CHANGE OF CLOTHES.

59
00:02:33,236 --> 00:02:34,571
THANKS FOR COMING.

60
00:02:39,451 --> 00:02:40,953
WOMAN ON RADIO: AFTER LAST
NIGHT'S BRUTAL ATTACK

61
00:02:40,995 --> 00:02:42,079
BY MARK GRAY,

62
00:02:42,121 --> 00:02:43,914
THE AGENT'S CONDITION
IS UNKNOWN.

63
00:02:43,956 --> 00:02:45,916
HOWEVER, SOURCES HAVE CONFIRMED

64
00:02:45,958 --> 00:02:47,835
THAT MARK GRAY DIED
AT THE SCENE.

65
00:02:47,876 --> 00:02:50,587
GRAY WAS THE LAST MEMBER
OF THE FAMILY OF SOCIOPATHS

66
00:02:50,629 --> 00:02:51,922
THAT TERRORIZED NEW YOR--

67
00:03:15,403 --> 00:03:17,114
PEN--PENNY.

68
00:03:42,097 --> 00:03:43,515
PENNY.

69
00:04:03,368 --> 00:04:04,703
PENNY.

70
00:04:45,326 --> 00:04:47,037
I KNOW WHAT
I HAVE TO DO.

71
00:04:47,079 --> 00:04:48,789
IF EVERYTHING GOES
AS PLANNED TODAY,

72
00:04:48,830 --> 00:04:50,040
YOU SHOULD BE FREE
TOMORROW.

73
00:04:57,547 --> 00:04:59,716
MIKE'S STILL
IN SURGERY.

74
00:04:59,758 --> 00:05:01,051
HE HAS A COLLAPSED LUNG

75
00:05:01,093 --> 00:05:02,886
AND A LACERATED LIVER.

76
00:05:02,928 --> 00:05:05,222
WILL HE MAKE IT?

77
00:05:05,264 --> 00:05:09,517
HE HAS THE BEST DOCTORS
IN THE WORLD.

78
00:05:09,559 --> 00:05:11,812
CAN I TALK TO YOU
FOR A SECOND?

79
00:05:21,488 --> 00:05:23,490
WHATEVER IT IS,
JUST SAY IT.

80
00:05:23,531 --> 00:05:25,325
I'D FEEL BETTER IF YOU
STAYED AT MY PLACE
FOR A WHILE

81
00:05:25,366 --> 00:05:26,910
JUST UNTIL THIS IS OVER.

82
00:05:26,952 --> 00:05:28,745
NO. RYAN, I WAS
PRETTY CLEAR.
COME ON.

83
00:05:28,787 --> 00:05:31,414
I'M NOT USING IT
AS AN EXCUSE TO
GET BACK TOGETHER,

84
00:05:31,456 --> 00:05:33,125
BUT I TALKED
TO YOUR PROTECTION DETAIL,

85
00:05:33,167 --> 00:05:34,876
AND YOUR PLACE IS
A SECURITY NIGHTMARE--

86
00:05:34,918 --> 00:05:36,503
MULTIPLE ENTRANCES.

87
00:05:36,544 --> 00:05:40,339
OK. I GET IT,

88
00:05:40,381 --> 00:05:41,925
BUT I WANT TO STAY
HERE FOR A WHILE.

89
00:05:41,967 --> 00:05:43,302
I WANT TO KEEP
AN EYE ON MIKE.

90
00:05:43,342 --> 00:05:45,344
OF COURSE, OF COURSE.

91
00:05:48,140 --> 00:05:49,348
IF THAT'S IT...

92
00:05:49,390 --> 00:05:51,226
HOW--HOW--HOW
ARE YOU FEELING?

93
00:05:51,268 --> 00:05:53,436
ANY MORNING SICKNESS?

94
00:05:53,478 --> 00:05:56,064
SOME. IT'S NOT
THAT BAD.

95
00:05:56,106 --> 00:05:57,274
GOOD.

96
00:06:01,320 --> 00:06:04,948
I WENT TO A MEETING
LAST NIGHT.

97
00:06:04,990 --> 00:06:07,868
I'M HAPPY FOR YOU,

98
00:06:07,909 --> 00:06:09,577
BUT IT'S GONNA TAKE
A LOT MORE

99
00:06:09,619 --> 00:06:11,746
TO CONVINCE ME
THAT YOU'VE CHANGED.

100
00:06:11,788 --> 00:06:13,290
I KNOW. I KNOW THAT...

101
00:06:14,833 --> 00:06:17,169
BUT...

102
00:06:17,211 --> 00:06:19,420
YOU AND...

103
00:06:19,462 --> 00:06:21,089
THIS BABY

104
00:06:21,131 --> 00:06:24,092
MEAN EVERYTHING TO ME,

105
00:06:24,134 --> 00:06:27,595
WHICH IS WHY AS SOON
AS THIS IS OVER

106
00:06:27,637 --> 00:06:30,057
I'M LEAVING
THE BUREAU.

107
00:06:30,098 --> 00:06:32,267
UH...

108
00:06:32,309 --> 00:06:33,310
YOUR JOB IS
YOUR LIFE.

109
00:06:33,352 --> 00:06:35,896
I DON'T WANT IT
TO BE.

110
00:06:35,937 --> 00:06:39,900
I WANT THIS, US,

111
00:06:39,941 --> 00:06:41,151
THIS FAMILY.

112
00:06:44,279 --> 00:06:45,446
I REALLY WANT TO
BELIEVE THAT

113
00:06:45,488 --> 00:06:46,531
FOR THE BABY'S SAKE,

114
00:06:46,573 --> 00:06:49,408
BUT, UH...

115
00:06:49,450 --> 00:06:53,247
I'M JUST NOT
THERE YET.

116
00:06:53,288 --> 00:06:54,956
BUT I HAVE A SHOT?

117
00:06:57,458 --> 00:06:59,753
I HAVE MY FIRST
ULTRASOUND
LATER TODAY.

118
00:06:59,794 --> 00:07:02,339
I'LL--I'LL CALL
YOU AFTER.

119
00:07:02,381 --> 00:07:04,758
OK. GREAT. THANKS.

120
00:07:22,025 --> 00:07:23,693
UNH!

121
00:07:30,784 --> 00:07:31,952
ELIZA: WELL, GENTLEMEN?

122
00:07:31,993 --> 00:07:33,828
THEO: ELIZA!

123
00:07:33,870 --> 00:07:35,830
ELIZA: WHAT ARE YOU
DOING HERE?

124
00:07:35,872 --> 00:07:37,040
OH.

125
00:07:37,082 --> 00:07:39,042
UNH!

126
00:07:39,084 --> 00:07:41,169
ARE YOU CRAZY?

127
00:07:41,211 --> 00:07:42,379
A LITTLE BIT.

128
00:07:44,172 --> 00:07:45,382
WE NEED TO TALK.

129
00:07:50,804 --> 00:07:53,307
I SHOULD HAVE YOU
KILLED RIGHT NOW.

130
00:07:53,348 --> 00:07:55,058
TELL THE GUARDS THAT
ARE ABOUT TO RUN IN HERE

131
00:07:55,100 --> 00:07:56,643
TO STAND DOWN, PLEASE.

132
00:07:56,684 --> 00:07:57,936
WHY WOULD I DO THAT?

133
00:07:57,978 --> 00:07:59,771
BECAUSE YOU BROKERED
THIS DEAL.

134
00:07:59,813 --> 00:08:01,106
YOUR REPUTATION'S
ON THE LINE.

135
00:08:01,148 --> 00:08:02,274
LIKE IT OR NOT,

136
00:08:02,316 --> 00:08:04,359
WE'RE IN THIS TOGETHER.

137
00:08:04,401 --> 00:08:05,652
ELIZA: DON'T SHOOT.

138
00:08:05,693 --> 00:08:06,861
STAND DOWN.

139
00:08:11,283 --> 00:08:13,285
CAN YOU GET
RYAN HARDY OR NOT?

140
00:08:15,287 --> 00:08:18,373
I HAVE A PLAN.

141
00:08:18,415 --> 00:08:20,541
JUST NEED
A LITTLE ASSISTANCE,

142
00:08:20,583 --> 00:08:23,378
A COUPLE OF GUYS WHO KNOW
HOW TO HANDLE A GUN.

143
00:08:23,420 --> 00:08:26,006
YOU SAID YOU COULD
TAKE CARE OF HIM
YOURSELF.

144
00:08:26,047 --> 00:08:27,674
THINGS CHANGE.

145
00:08:27,715 --> 00:08:31,428
MY FACE IS
EVERYWHERE NOW.

146
00:08:31,470 --> 00:08:33,347
I NEED SOMEONE THE FEDS
WON'T RECOGNIZE.

147
00:08:33,388 --> 00:08:36,266
I WON'T RISK
EXPOSING ONE
OF OUR OWN.

148
00:08:36,308 --> 00:08:38,559
IF YOU CAN'T HONOR
THE TERMS OF OUR
AGREEMENT, THEN--

149
00:08:38,601 --> 00:08:39,853
YOU'LL WHAT?

150
00:08:42,772 --> 00:08:45,275
YOU'LL WHAT?

151
00:08:45,317 --> 00:08:47,777
TELL YOUR FRIEND
THE DEAL'S OFF,

152
00:08:47,819 --> 00:08:49,988
THAT I'M A LIABILITY

153
00:08:50,030 --> 00:08:51,448
YOU BROUGHT
TO THEIR DOOR?

154
00:08:58,413 --> 00:09:01,375
CAN'T WAIT TO SEE
WHERE YOUR BODY TURNS UP.

155
00:09:06,963 --> 00:09:09,383
I APPRECIATE
YOUR CONCERN.

156
00:09:12,677 --> 00:09:15,763
YOU CAN TAKE
WADE AND NATHAN,

157
00:09:15,805 --> 00:09:17,640
BUT I EXPECT
RESULTS.

158
00:09:17,682 --> 00:09:21,395
BY THE END OF THE DAY,
RYAN HARDY WILL BE DEAD.

159
00:09:21,436 --> 00:09:23,646
I'LL CALL YOU
WHEN IT'S DONE.

160
00:09:28,860 --> 00:09:31,946
SORRY ABOUT THE MESS,

161
00:09:31,988 --> 00:09:34,574
BUT SOMETHING TELLS ME
YOUR HOUSEKEEPER'S AMAZING.

162
00:09:47,546 --> 00:09:49,005
LISA: HEY. YOU DON'T
HAVE TO BE HERE.

163
00:09:49,047 --> 00:09:51,508
YEAH, I DO.

164
00:09:51,550 --> 00:09:53,343
WE HAVE OTHER
FBI AGENTS.

165
00:09:53,385 --> 00:09:55,429
YOU SHOULD GO HOME,
GET SOME REST,

166
00:09:55,470 --> 00:09:57,431
AND WE'LL CALL YOU
THE SECOND WE HAVE
A LEAD ON ANYTHING.

167
00:09:57,472 --> 00:09:58,848
THEO IS A THREAT
TO EVERYONE I LOVE.

168
00:09:58,890 --> 00:10:00,475
UNLESS YOU'RE
SUSPENDING ME,
I'M STAYING.

169
00:10:00,517 --> 00:10:02,394
DON'T THINK I DIDN'T TRY,

170
00:10:02,436 --> 00:10:04,104
BUT DONOVAN
BLOCKED ME.

171
00:10:04,145 --> 00:10:05,772
HE THINKS YOU'RE
OUR BEST HOPE OF
FINDING THIS GUY.

172
00:10:05,813 --> 00:10:08,191
WELL, THEN YOU'RE
STUCK WITH ME.

173
00:10:08,233 --> 00:10:11,986
LOOK. I KNOW
I MESSED UP BEFORE,

174
00:10:12,028 --> 00:10:14,781
BUT IT'S BEHIND ME.

175
00:10:14,822 --> 00:10:17,784
I HOPE THAT'S TRUE.

176
00:10:17,825 --> 00:10:19,660
SO WHAT ARE YOU
THINKING?

177
00:10:19,702 --> 00:10:21,288
THEO HAS LOST THE ONE THING
THAT HE CARES ABOUT.

178
00:10:21,329 --> 00:10:22,539
HE'S UNHINGED.

179
00:10:22,581 --> 00:10:24,249
HE KNOWS THAT THE BEST
MOVE WOULD BE TO RUN,

180
00:10:24,291 --> 00:10:25,917
BUT THAT WOULD MEAN
GIVING UP REVENGE.

181
00:10:25,959 --> 00:10:27,961
HE'S TRAPPED,
HE'S DESPERATE.

182
00:10:28,002 --> 00:10:29,879
WE TURN UP THE PRESSURE.

183
00:10:29,921 --> 00:10:34,426
WE MAKE SURE EVERYBODY
IN THIS CITY IS
LOOKING FOR HIM.

184
00:10:34,468 --> 00:10:36,553
I LIKE IT.

185
00:10:36,595 --> 00:10:38,721
RYAN: THE FBI IS TRACKING
THEO NOBLE.

186
00:10:38,763 --> 00:10:40,181
HE IS CURRENTLY TRAVELING

187
00:10:40,223 --> 00:10:43,477
WITH FELLOW SERIAL KILLER
DAISY LOCKE.

188
00:10:43,518 --> 00:10:45,019
NOW THROUGH OUR INVESTIGATIONS,

189
00:10:45,061 --> 00:10:48,106
WE HAVE BEEN ABLE
TO UNCOVER SEVERAL ALIASES,

190
00:10:48,148 --> 00:10:49,690
AND THERE COULD BE
COUNTLESS OTHERS.

191
00:10:49,732 --> 00:10:51,443
HE COULD BE YOUR NEIGHBOR,

192
00:10:51,485 --> 00:10:53,736
HE COULD BE THE GUY
THAT YOU JUST PASSED
ON THE STREET

193
00:10:53,778 --> 00:10:55,405
OR THE MAN STANDING
BEHIND YOU

194
00:10:55,447 --> 00:10:56,573
AT THE CHECKOUT LINE.

195
00:10:56,615 --> 00:10:57,698
IF YOU HAVE ANY INFORMATION,

196
00:10:57,740 --> 00:10:59,742
ANY INFORMATION AT ALL,

197
00:10:59,784 --> 00:11:02,912
PLEASE DO NOT HESITATE
TO CONTACT

198
00:11:02,954 --> 00:11:05,873
THE AUTHORITIES IMMEDIATELY.

199
00:11:05,915 --> 00:11:07,959
THANK YOU.

200
00:11:28,687 --> 00:11:30,106
HOW IS HE?

201
00:11:30,148 --> 00:11:31,274
WELL, HE'S OUT OF SURGERY,

202
00:11:31,316 --> 00:11:32,484
BUT I HAVE TO BE
HONEST WITH YOU.

203
00:11:32,526 --> 00:11:34,319
THE DAMAGE WAS EXTENSIVE.

204
00:11:34,361 --> 00:11:37,155
THERE WAS A GREAT DEAL
OF INTERNAL BLEEDING.

205
00:11:37,197 --> 00:11:40,575
BUT HE'LL HEAL,
HE'LL WAKE UP?

206
00:11:40,617 --> 00:11:44,120
MIKE'S CONDITION IS
VERY DELICATE.

207
00:11:44,162 --> 00:11:48,583
THE NEXT 12 HOURS ARE
GONNA BE CRITICAL.

208
00:11:48,625 --> 00:11:49,959
THANK YOU, DOCTOR.

209
00:11:58,176 --> 00:12:00,637
I TRIED TO GET
MY GUN OUT,

210
00:12:00,679 --> 00:12:05,350
BUT IT HAPPENED
SO FAST.

211
00:12:05,392 --> 00:12:07,726
HE SAVED MY LIFE,

212
00:12:07,768 --> 00:12:08,895
AND I JUST
SAT THERE.

213
00:12:08,936 --> 00:12:10,146
YOU DID EVERYTHING
YOU COULD.

214
00:12:10,188 --> 00:12:13,567
IT WASN'T ENOUGH,
GWEN.

215
00:12:13,608 --> 00:12:15,109
IF HE DIES--

216
00:12:15,151 --> 00:12:17,529
I KNOW IT'S DIFFICULT
FOR YOU HARDYS TO UNDERSTAND,

217
00:12:17,571 --> 00:12:20,448
BUT SOME THINGS ARE
OUT OF YOUR CONTROL.

218
00:12:20,490 --> 00:12:22,283
THIS WASN'T YOUR FAULT.

219
00:12:22,325 --> 00:12:24,160
MARK DID THIS.

220
00:12:24,202 --> 00:12:26,705
YOU SHOULD GO HOME
AND GET SOME SLEEP.

221
00:12:26,745 --> 00:12:28,956
I'LL CALL
IF ANYTHING CHANGES.

222
00:12:34,128 --> 00:12:36,381
YEAH.

223
00:12:36,423 --> 00:12:37,507
THANKS.

224
00:13:05,368 --> 00:13:06,745
HEY.

225
00:13:06,785 --> 00:13:07,912
HOW IS HE?

226
00:13:07,954 --> 00:13:09,664
ALL WE CAN DO
IS WAIT.

227
00:13:09,706 --> 00:13:10,873
THEN YOU SHOULD
GO HOME.

228
00:13:10,915 --> 00:13:12,584
YEAH. LIKE THAT'S
GONNA HAPPEN.

229
00:13:12,626 --> 00:13:14,502
I CAN HELP HERE.

230
00:13:14,544 --> 00:13:15,754
I NEED TO.

231
00:13:15,794 --> 00:13:17,505
MAX.

232
00:13:17,547 --> 00:13:18,673
EVER SINCE YOUR
PRESS CONFERENCE,

233
00:13:18,715 --> 00:13:19,924
THE TIP LINE'S
BEEN FLOODED.

234
00:13:27,223 --> 00:13:28,558
THEO GETS AROUND.

235
00:13:28,600 --> 00:13:29,892
HOPKINS: WE HAVEN'T
VERIFIED ANY OF THEM.

236
00:13:29,934 --> 00:13:31,394
THERE'S ALWAYS A TON
OF NUISANCE CALLS

237
00:13:31,436 --> 00:13:32,562
AROUND A BIG CASE.

238
00:13:32,604 --> 00:13:33,896
NOTHING NEAR
MY SISTER'S PLACE,

239
00:13:33,938 --> 00:13:35,356
AND THESE SIGHTINGS
ARE TOO FAR UPSTATE.

240
00:13:35,398 --> 00:13:37,191
NONE OF THESE
ARE RIGHT.

241
00:13:37,233 --> 00:13:38,985
I KILLED PENNY.

242
00:13:39,026 --> 00:13:41,862
THE TARGET IS GOING
TO BE SOMEBODY
CLOSE TO ME.

243
00:14:14,813 --> 00:14:15,814
THANKS.

244
00:14:17,357 --> 00:14:18,525
TIP CAME IN.

245
00:14:18,566 --> 00:14:20,234
CALLER SAID THEY
SAW TWO PEOPLE

246
00:14:20,276 --> 00:14:21,902
MATCHING THEO
AND DAISY'S
DESCRIPTION GOING

247
00:14:21,944 --> 00:14:23,237
INTO AN ELEVATOR
IN A BUILDING

248
00:14:23,279 --> 00:14:25,114
ON THE UPPER
EAST SIDE.

249
00:14:25,156 --> 00:14:27,158
WHEN I REQUESTED
SURVEILLANCE VIDEO
FROM THE BUILDING,

250
00:14:27,200 --> 00:14:28,409
TURNS OUT THEY
HAD A GLITCH,

251
00:14:28,451 --> 00:14:29,703
AND THE FEED WENT
DEAD FOR 40 MINUTES

252
00:14:29,744 --> 00:14:31,204
RIGHT AROUND
THE TIME OF
THE SIGHTING.

253
00:14:31,245 --> 00:14:32,872
SAME THING
FOR ANY CAMERA
THAT WAS POINTED

254
00:14:32,913 --> 00:14:34,123
TOWARDS THE BUILDING'S
ENTRANCE.

255
00:14:34,165 --> 00:14:35,958
THAT SOUNDS LIKE THEO.

256
00:14:36,000 --> 00:14:37,918
IT'S RISKY TO STAY
IN THE CITY.

257
00:14:37,960 --> 00:14:39,671
WELL, WHATEVER'S
IN THAT BUILDING,

258
00:14:39,713 --> 00:14:40,963
IT'S GOT TO BE
IMPORTANT.

259
00:14:41,005 --> 00:14:42,173
LET'S GO.

260
00:14:45,552 --> 00:14:46,927
DAWN: YOU'RE RETIRED.

261
00:14:46,969 --> 00:14:49,305
ARE YOU SURE THIS
IS REALLY NECESSARY?

262
00:14:49,347 --> 00:14:50,515
IT'S JUST
A PRECAUTION.

263
00:14:50,557 --> 00:14:51,891
A FEW DAYS
IN PROTECTIVE CUSTODY

264
00:14:51,932 --> 00:14:53,976
UNTIL THINGS CALM DOWN.

265
00:14:54,018 --> 00:14:55,353
A FEW DAYS?

266
00:14:55,395 --> 00:14:57,480
WE PACKED LUGGAGE.

267
00:14:57,522 --> 00:14:59,607
DAWN, JUST LOOK
AT IT LIKE
A VACATION, OK?

268
00:14:59,649 --> 00:15:02,193
WITH INCREDIBLY
INTRUSIVE, ROUND THE CLOCK
SURVEILLANCE.

269
00:15:02,235 --> 00:15:03,236
ANDREA: DIBS ON THE TV!

270
00:15:03,277 --> 00:15:04,362
OH, GOD.

271
00:15:04,404 --> 00:15:05,864
THIS COULD TURN
BLOODY QUICK.

272
00:15:05,905 --> 00:15:07,114
UH-OH. I'M GONNA
GET YOU!

273
00:15:09,826 --> 00:15:11,994
HEY. WHAT'S THIS?

274
00:15:12,036 --> 00:15:13,246
PANIC ROOM.

275
00:15:13,287 --> 00:15:15,665
IT'S JUST
A PRECAUTION.

276
00:15:15,707 --> 00:15:16,833
RIGHT.

277
00:15:19,043 --> 00:15:20,253
ANDREA: DIBS ON THE TV!

278
00:15:20,294 --> 00:15:22,338
UH-UH. NO MORE TV.

279
00:15:22,380 --> 00:15:25,425
COME ON, BUDDY.
PICK OUT A GAME!

280
00:15:25,466 --> 00:15:26,925
DAWN: YOU GOT THIS?

281
00:15:26,967 --> 00:15:28,595
YES. I WILL BE FINE.

282
00:15:28,636 --> 00:15:29,888
COME ON, LITTLE MAN.

283
00:15:29,929 --> 00:15:31,013
I'LL GO START
SOME LUNCH, OK, BABE?

284
00:15:31,055 --> 00:15:32,223
ALL RIGHT. BYE.

285
00:15:41,900 --> 00:15:43,651
ALL RIGHT.
WHAT ARE WE PLAYING?

286
00:15:46,905 --> 00:15:48,448
TIME FOR
ANOTHER SWEEP.

287
00:15:48,489 --> 00:15:50,157
I'LL GO.

288
00:15:50,199 --> 00:15:52,827
BESIDES, I CAN USE
THE EXERCISE.

289
00:15:52,869 --> 00:15:54,412
DIDN'T YOU HEAR?

290
00:15:54,454 --> 00:15:56,080
SITTING IS
THE NEW CANCER.

291
00:15:56,122 --> 00:15:57,373
HA HA HA!

292
00:16:40,040 --> 00:16:41,125
OHH!

293
00:16:52,011 --> 00:16:53,220
GET DRESSED.

294
00:17:01,437 --> 00:17:03,314
HEY. THOUGHT THESE
MIGHT HELP.

295
00:17:03,356 --> 00:17:05,900
OH. VERY NICE
OF YOU.

296
00:17:05,942 --> 00:17:08,277
YEAH. WELL, I'VE HAD
MY SHARE OF FRIGID
STAKEOUTS.

297
00:17:08,319 --> 00:17:09,821
WHERE'S YOUR PARTNER?

298
00:17:09,863 --> 00:17:12,699
UH, HE'S AROUND BACK,
DOING ANOTHER SWEEP.

299
00:17:12,740 --> 00:17:14,701
OK. WELL, STAY WARM.

300
00:17:19,246 --> 00:17:21,081
OH, DAMN.

301
00:17:26,420 --> 00:17:27,797
UNH!

302
00:17:32,886 --> 00:17:35,053
DAWN: "W"?
ANDREA: NOPE.

303
00:17:35,095 --> 00:17:36,472
SO WE READY
TO PLAY?

304
00:17:36,514 --> 00:17:37,849
YOU BET YOU.

305
00:17:37,891 --> 00:17:40,935
WE'RE JUST WAITING
FOR MOMMY, RIGHT, GUYS?

306
00:17:40,977 --> 00:17:42,102
WHO DO YOU WANT TO BE?

307
00:17:42,144 --> 00:17:43,312
DO YOU WANT TO BE
THIS GUY?

308
00:17:43,354 --> 00:17:44,522
YEAH!

309
00:17:44,564 --> 00:17:46,065
YOU WANT TO BE THAT--
WELL, YOU HAVE TO CHOOSE

310
00:17:46,106 --> 00:17:47,316
YOUR CHARACTER.

311
00:17:47,358 --> 00:17:49,235
CAN YOU PUT IT
BACK DOWN THERE AGAIN?

312
00:17:49,276 --> 00:17:50,987
YOU GOT IT.

313
00:17:51,029 --> 00:17:52,030
IS THAT A MONKEY?

314
00:17:52,071 --> 00:17:53,031
YEAH.

315
00:17:53,072 --> 00:17:54,365
-HA HA HA!
-IT'S A GORILLA.

316
00:17:54,407 --> 00:17:55,491
SO WHAT ARE WE
PLAYING?

317
00:18:17,179 --> 00:18:18,347
START KNOCKING
ON DOORS.

318
00:18:18,389 --> 00:18:19,306
YES, SIR.

319
00:18:24,144 --> 00:18:25,312
OH, MY GOD!

320
00:18:25,354 --> 00:18:26,731
YOU ALMOST GAVE ME
A HEART ATTACK.

321
00:18:26,773 --> 00:18:27,982
SORRY. I DIDN'T MEAN
TO STARTLE YOU.

322
00:18:28,024 --> 00:18:29,233
FBI.

323
00:18:29,275 --> 00:18:30,818
YOU'RE RYAN HARDY,
AREN'T YOU?

324
00:18:30,860 --> 00:18:31,903
YEAH.

325
00:18:31,945 --> 00:18:32,987
CAN I HELP YOU?

326
00:18:33,029 --> 00:18:34,405
MAY WE COME IN?

327
00:18:34,447 --> 00:18:39,035
UH, I WAS JUST LEAVING,
BUT SURE, OF COURSE.

328
00:18:39,077 --> 00:18:40,244
BRODSKY.

329
00:18:45,083 --> 00:18:48,502
WE'RE LOOKING
FOR THESE TWO.

330
00:18:48,544 --> 00:18:50,463
ONE OF THE BUILDING'S
TENANTS THOUGHT

331
00:18:50,504 --> 00:18:52,172
THEY GOT OFF THE ELEVATOR
ON THIS LEVEL.

332
00:18:52,214 --> 00:18:54,092
THEIR PICTURES ARE
ALL OVER THE NEWS.

333
00:18:54,133 --> 00:18:55,509
THEY WERE HERE?

334
00:18:55,551 --> 00:18:56,844
THAT'S SCARY.

335
00:18:56,886 --> 00:18:58,096
DID YOU SEE THEM?

336
00:18:58,137 --> 00:19:00,389
OH, GOD, NO.
I'D FAINT IF I SAW THEM.

337
00:19:00,431 --> 00:19:01,891
YOU MIND IF WE TAKE
A LOOK AROUND?

338
00:19:01,933 --> 00:19:03,350
NO. NO, NOT AT ALL.

339
00:19:07,105 --> 00:19:08,481
ANYONE ELSE HERE?

340
00:19:08,522 --> 00:19:10,274
NO. JUST ME.

341
00:19:14,612 --> 00:19:17,657
SO MAY I ASK WHAT
YOU DO HERE, MISS...

342
00:19:17,698 --> 00:19:20,200
ANNIE,
ANNIE BECHARD.

343
00:19:20,242 --> 00:19:21,410
THIS ISN'T MY PLACE.

344
00:19:21,452 --> 00:19:22,829
IT BELONGS
TO MY BOSS.

345
00:19:22,870 --> 00:19:24,038
WHO'S YOUR BOSS?

346
00:19:24,080 --> 00:19:25,456
ARTIE COLE,
HEDGE FUND GUY.

347
00:19:25,498 --> 00:19:27,125
HE'S OUT OF TOWN,
SO I'M SUPPOSED TO COME BY,

348
00:19:27,166 --> 00:19:30,628
WATER THE PLANTS,
MAKE SURE EVERYTHING'S OK.

349
00:19:30,670 --> 00:19:32,546
PRETTY BORING STUFF.

350
00:19:32,588 --> 00:19:36,300
I CAN'T IMAGINE DOING
WHAT YOU DO.

351
00:19:36,342 --> 00:19:38,427
MAX: IT'S CLEAR.
THERE'S NO ONE HERE.

352
00:19:38,469 --> 00:19:40,096
THERE ARE A FEW
EMPTY UNITS ON THIS FLOOR.

353
00:19:40,138 --> 00:19:42,890
OK. WE'LL CHECK
THEM OUT.

354
00:19:42,932 --> 00:19:44,224
THANKS.

355
00:19:44,266 --> 00:19:46,560
UH, DO YOU WANT TO
LEAVE ME YOUR CARD?

356
00:19:46,602 --> 00:19:49,647
I CAN CALL AND LET YOU
KNOW IF I SEE ANYTHING.

357
00:19:49,689 --> 00:19:52,274
SURE. THAT
WOULD BE GREAT.

358
00:19:55,903 --> 00:19:57,237
THANK YOU.

359
00:20:06,664 --> 00:20:08,415
GINA: OHH!

360
00:20:08,457 --> 00:20:10,334
4 DAMAGE!
THAT MEANS I WON

361
00:20:10,376 --> 00:20:11,752
AND I'M THE KING
OF TOKYO!

362
00:20:11,794 --> 00:20:12,753
I'M OUT!

363
00:20:12,795 --> 00:20:14,463
I GET THE ROOM
TO MYSELF.

364
00:20:14,505 --> 00:20:15,840
BILLY: WOW!

365
00:20:15,882 --> 00:20:18,092
DAWN: OK.

366
00:20:18,134 --> 00:20:19,593
ALL RIGHT, LITTLE MAN.
IT'S TIME FOR A NAP.

367
00:20:19,635 --> 00:20:21,554
ALL RIGHT! YOU'RE
THE KING OF TOKYO, TOO.

368
00:20:21,595 --> 00:20:23,305
GINA: COME ON!
DAWN: I'LL CLEAN UP DOWN HERE.

369
00:20:23,347 --> 00:20:25,516
BYE, GUYS!

370
00:20:25,558 --> 00:20:27,101
ANDREA: MY ROOM, MY ROOM.

371
00:20:27,143 --> 00:20:28,435
BILLY GETS TO SLEEP
IN THE CLOSET.

372
00:20:28,477 --> 00:20:29,478
OH, REALLY?

373
00:20:29,520 --> 00:20:30,479
YEP.

374
00:20:31,856 --> 00:20:34,567
DAWN, ARE YOU OK?

375
00:20:34,608 --> 00:20:37,862
BABE?

376
00:20:37,904 --> 00:20:39,238
BABE?

377
00:20:47,830 --> 00:20:50,583
BABY, I NEED YOU
TO WATCH YOUR
BROTHER, OK?

378
00:20:50,624 --> 00:20:51,751
MOMMY, I'M SCARED.

379
00:20:51,792 --> 00:20:52,668
DON'T BE SCARED, BABY.

380
00:20:52,710 --> 00:20:54,212
I JUST NEED YOU
TO BE BRAVE.

381
00:20:54,253 --> 00:20:55,713
I'M SCARED.

382
00:20:55,755 --> 00:20:57,048
LISTEN TO ME.

383
00:20:57,090 --> 00:20:59,341
DON'T BE SCARED.
THIS IS A SAFE PLACE, OK,

384
00:20:59,383 --> 00:21:01,052
BUT I NEED YOU TO
GO INSIDE AND DON'T

385
00:21:01,094 --> 00:21:03,012
OPEN THIS DOOR EXCEPT
FOR ME OR DAWN, OK?

386
00:21:03,054 --> 00:21:04,471
-OK.
-ALL RIGHT.

387
00:21:15,482 --> 00:21:16,734
DAWN?

388
00:21:27,703 --> 00:21:29,038
DAWN?

389
00:21:52,812 --> 00:21:54,188
DAWN?

390
00:21:57,483 --> 00:21:59,318
DAWN?

391
00:22:00,527 --> 00:22:01,737
LET HER GO.

392
00:22:06,617 --> 00:22:08,077
LEAVE HER ALONE.

393
00:22:08,119 --> 00:22:10,496
I'M THE ONE
YOU WANT.

394
00:22:10,537 --> 00:22:13,457
WRONG.

395
00:22:13,499 --> 00:22:15,709
I WANT YOUR
WHOLE ENTIRE FAMILY.

396
00:22:23,801 --> 00:22:26,929
GWEN: HI. YOU'VE REACHED GWEN.
PLEASE LEAVE A MESSAGE.

397
00:22:26,971 --> 00:22:28,806
HEY. IT'S ME.
I JUST WANTED TO SEE

398
00:22:28,848 --> 00:22:30,641
HOW IT WENT
WITH THE DOCTOR TODAY,

399
00:22:30,683 --> 00:22:32,268
SO CALL ME BACK.

400
00:22:34,687 --> 00:22:36,814
I LOVE YOU.

401
00:22:36,856 --> 00:22:37,898
...BUILDING WHERE
THEO WAS SPOTTED.

402
00:22:37,940 --> 00:22:38,774
ANY AND ALL RECORDS.

403
00:22:38,816 --> 00:22:39,984
HAVE CSU GO
THROUGH THE UNITS

404
00:22:40,026 --> 00:22:41,819
ON THE UPPER FLOOR
WITH A FINE-TOOTHED
COMB.

405
00:22:41,861 --> 00:22:43,029
CHECK OUT ALL
TENANTS

406
00:22:43,070 --> 00:22:44,238
AND RUN THE NAME
ANNIE BECHARD

407
00:22:44,280 --> 00:22:45,489
AND SEE WHAT
COMES BACK.

408
00:22:45,531 --> 00:22:47,033
MAKE SURE YOU'RE DOING
THAT SEARCH OFF THE GRID.

409
00:22:49,076 --> 00:22:51,704
MENDEZ.
I'LL TAKE THIS.

410
00:22:51,745 --> 00:22:54,165
HEY, GINA.

411
00:22:54,207 --> 00:22:56,042
EVERYTHING OK?

412
00:22:56,083 --> 00:22:57,417
EVERYTHING'S FINE.
YOU GOT A SECOND?

413
00:22:57,459 --> 00:22:59,753
UH, KIND OF BUSY
RIGHT NOW.

414
00:22:59,795 --> 00:23:01,714
YEAH. WELL, I'VE BEEN
SITTING HERE CRAWLING
THE WALLS,

415
00:23:01,755 --> 00:23:04,258
SO I STARTED GOING
OVER THE CASE INTEL ON THEO.

416
00:23:04,300 --> 00:23:05,383
I THINK I MIGHT HAVE
FOUND SOMETHING

417
00:23:05,425 --> 00:23:06,886
IN THE EVIDENCE
THAT WE RECOVERED

418
00:23:06,927 --> 00:23:07,845
FROM HIS MARYLAND HOME.

419
00:23:07,887 --> 00:23:09,055
WHAT'D YOU FIND?

420
00:23:09,096 --> 00:23:10,848
HOW HE MET STRAUSS.

421
00:23:10,890 --> 00:23:12,641
I--I THOUGHT IT COULD
HELP US CATCH HIM,

422
00:23:12,683 --> 00:23:14,560
BUT I DON'T THINK
WE SHOULD TALK ABOUT IT
OVER THE PHONE.

423
00:23:14,601 --> 00:23:16,478
DO YOU THINK YOU CAN
MEET ME AT THE SAFE HOUSE?

424
00:23:16,520 --> 00:23:18,856
UH, IT'S REALLY NOT
A GOOD TIME.

425
00:23:18,898 --> 00:23:20,274
LOOK, RYAN. YOU KNOW,
I WOULDN'T CALL YOU

426
00:23:20,316 --> 00:23:21,942
IF I DIDN'T THINK
IT WAS WORTH IT.

427
00:23:25,487 --> 00:23:29,449
OK. I'LL BE THERE
AS SOON AS I CAN.

428
00:23:29,491 --> 00:23:30,784
GOOD. I'LL SEE YOU THEN.

429
00:23:34,330 --> 00:23:35,413
GOOD JOB.

430
00:23:37,666 --> 00:23:38,876
WHAT'S WRONG?

431
00:23:38,918 --> 00:23:40,044
COME WITH ME.

432
00:23:49,678 --> 00:23:51,597
RYAN.
I'LL CALL YOU BACK.

433
00:23:53,473 --> 00:23:54,767
TAKE THE SIM CARDS
OUT OF YOUR PHONE,

434
00:23:54,808 --> 00:23:56,518
BOTH OF YOU,
RIGHT NOW.

435
00:23:59,021 --> 00:24:00,606
WHAT'S GOING ON?

436
00:24:00,647 --> 00:24:02,649
I THINK THEO GOT
TO MENDEZ.

437
00:24:02,691 --> 00:24:04,026
THAT'S NOT POSSIBLE.

438
00:24:04,068 --> 00:24:05,443
SHE'S AT
AN UNDISCLOSED
SAFE HOUSE

439
00:24:05,485 --> 00:24:06,362
WITH TWO AGENTS
WATCHING HER.

440
00:24:06,404 --> 00:24:07,696
JUST GOT A CALL FROM HER

441
00:24:07,738 --> 00:24:09,656
TOTALLY OUT OF THE BLUE,
SAID SHE HAD A LEAD ON THEO,

442
00:24:09,698 --> 00:24:11,325
WANTED ME TO COME
TO THE SAFE HOUSE

443
00:24:11,367 --> 00:24:12,618
AND TALK TO HER
ABOUT IT.

444
00:24:12,659 --> 00:24:14,078
SHE HASN'T WORKED
THIS CASE FOR WEEKS.

445
00:24:14,120 --> 00:24:16,163
DIDN'T WANT ANY KIND
OF PART OF IT.

446
00:24:16,205 --> 00:24:17,748
IT JUST DOES NOT
ADD UP,

447
00:24:17,790 --> 00:24:20,334
AND SOMETHING ABOUT HER
WAS OFF ON THE PHONE.

448
00:24:20,376 --> 00:24:22,211
MAKES SENSE THAT THEO
WOULD GO AFTER HER.

449
00:24:22,253 --> 00:24:25,463
SO IT'S A TRAP,
HUH, FOR YOU?

450
00:24:25,505 --> 00:24:27,049
I THINK SO.

451
00:24:27,091 --> 00:24:29,843
OK. I'LL GET
A WHOLE HRT TEAM
READY TO DEPLOY,

452
00:24:29,885 --> 00:24:31,137
AND WE'LL GET
3 DOZEN AGENTS--

453
00:24:31,178 --> 00:24:32,846
NO, NO, NO, NO.
CAN'T PUT THIS OUT
TO THE WORLD.

454
00:24:32,888 --> 00:24:34,348
THEO'S GONNA HAVE
EYES AND EARS ON US

455
00:24:34,390 --> 00:24:35,515
AND EVERYONE AROUND US.

456
00:24:35,557 --> 00:24:37,059
ALL OF OUR
COMMUNICATIONS.

457
00:24:37,101 --> 00:24:40,604
IF HE THINKS FOR A SECOND
THAT WE'RE ON TO HIM,

458
00:24:40,646 --> 00:24:42,773
HE'S GONNA KILL MENDEZ
AND HER FAMILY.

459
00:24:42,815 --> 00:24:44,275
HOW DO YOU KNOW
HE HASN'T ALREADY?

460
00:24:44,317 --> 00:24:46,693
I DON'T.

461
00:24:46,735 --> 00:24:48,446
WHAT DO YOU THINK
WE SHOULD DO?

462
00:24:48,486 --> 00:24:50,072
ALL RIGHT.
LET'S RECRUIT AGENTS

463
00:24:50,114 --> 00:24:51,698
THAT WE KNOW AND TRUST.

464
00:24:51,740 --> 00:24:53,491
FACE TO FACE,
KEEP IT DOWN
TO AROUND A DOZEN

465
00:24:53,533 --> 00:24:55,035
SO WORD DOESN'T SPREAD.

466
00:24:55,077 --> 00:24:57,246
OK. LET'S MAKE
IT HAPPEN.

467
00:25:03,461 --> 00:25:06,297
DON'T BE SAD.
YOU SAVED YOUR
LITTLE FAMILY.

468
00:25:06,339 --> 00:25:07,840
SPEAKING OF WHICH...

469
00:25:10,550 --> 00:25:12,886
WHERE ARE THOSE
BEAUTIFUL LITTLE BABIES?

470
00:25:12,928 --> 00:25:14,972
SAFE,

471
00:25:15,014 --> 00:25:17,475
WHERE YOU CAN'T
GET THEM.

472
00:25:17,515 --> 00:25:18,976
SHE PUT THEM
IN THE PANIC ROOM

473
00:25:19,018 --> 00:25:20,144
BEFORE I COULD
GET TO THEM.

474
00:25:25,858 --> 00:25:27,109
PANIC ROOM.

475
00:25:30,070 --> 00:25:31,238
WOW.

476
00:25:34,574 --> 00:25:38,496
DO YOU KNOW WHEN
A PANIC ROOM IS
TRULY USELESS?

477
00:25:38,536 --> 00:25:41,165
HMM?

478
00:25:41,207 --> 00:25:45,044
WHEN THE HOUSE AROUND IT
IS BURNING DOWN.

479
00:25:49,006 --> 00:25:51,091
HEH HEH HEH!

480
00:25:54,303 --> 00:25:57,348
YOU DO ANYTHING
TO TIP OFF RYAN,

481
00:25:57,390 --> 00:25:59,725
AND I WILL KEEP YOU ALIVE
LONG ENOUGH

482
00:25:59,766 --> 00:26:01,601
TO HEAR THEM SCREAMING
IN THE FIRE.

483
00:26:16,534 --> 00:26:17,951
THE WHOLE
PROPERTY'S CLEAR.

484
00:26:17,993 --> 00:26:19,453
WE'RE GOOD TO GO.

485
00:26:19,495 --> 00:26:21,414
GOOD. RYAN'S ON HIS WAY.
TAKE YOUR POSITIONS.

486
00:26:21,455 --> 00:26:23,374
JUST REMEMBER,
WHEN HARDY GETS HERE,

487
00:26:23,416 --> 00:26:24,750
HE'S MINE TO KILL.

488
00:26:24,791 --> 00:26:26,252
IF EITHER OF YOU
MESSES THAT UP FOR ME,

489
00:26:26,293 --> 00:26:27,753
I WILL MAKE SURE
THAT YOU SUFFER

490
00:26:27,794 --> 00:26:30,423
UNTIL YOUR LAST BREATH.

491
00:26:30,464 --> 00:26:32,674
GO.

492
00:26:37,721 --> 00:26:40,099
I TOLD YOU I WOULD CALL
WHEN IT'S DONE.

493
00:26:40,140 --> 00:26:42,142
THERE'S BEEN
A CHANGE OF PLANS.

494
00:26:42,184 --> 00:26:44,478
WE WANT RYAN HARDY
ALIVE.

495
00:26:44,520 --> 00:26:46,980
WHAT?
WHY WOULD YOU?

496
00:26:47,022 --> 00:26:48,190
THAT'S NOT
YOUR CONCERN.

497
00:26:48,232 --> 00:26:49,358
WE NEED HIM ALIVE,

498
00:26:49,400 --> 00:26:50,734
OR THE DEAL IS OFF.

499
00:27:17,177 --> 00:27:18,512
GINA: NO, NO,
NO, NO, NO! DON'T!

500
00:27:18,554 --> 00:27:19,637
AAH!

501
00:27:19,679 --> 00:27:21,932
LEAVE HER ALONE!

502
00:27:21,974 --> 00:27:25,185
RYAN COULD CALL BACK!

503
00:27:25,227 --> 00:27:27,645
AND IF YOU HURT HER,
I WILL NOT HELP YOU.

504
00:27:31,858 --> 00:27:33,944
SO YOU LET HER GO.

505
00:27:37,490 --> 00:27:40,409
YOUR WIFE,
YOUR KIDS,

506
00:27:40,451 --> 00:27:42,286
EVEN YOU,

507
00:27:42,328 --> 00:27:44,746
YOU DIE

508
00:27:44,788 --> 00:27:46,499
WHEN I DECIDE.

509
00:27:49,709 --> 00:27:51,795
NO ONE ELSE!

510
00:27:55,966 --> 00:27:57,134
GAHH!

511
00:28:14,318 --> 00:28:16,820
RYAN: ALL RIGHT.
LISTEN UP.

512
00:28:16,862 --> 00:28:18,238
STRATEGICALLY SPEAKING,

513
00:28:18,280 --> 00:28:20,740
THIS PLACE IS
A WORST CASE SCENARIO.

514
00:28:20,782 --> 00:28:22,826
FROM THE HOUSE, THERE'S
CLEAR LINES OF SIGHT

515
00:28:22,868 --> 00:28:24,828
IN ALMOST EVERY SINGLE
DIRECTION.

516
00:28:24,870 --> 00:28:27,164
WE ALSO DON'T KNOW
WHAT KIND OF SURVEILLANCE
THEO MIGHT HAVE SET UP,

517
00:28:27,206 --> 00:28:29,416
SO HE COULD BE MONITORING
THE WHOLE PROPERTY
FOR ALL WE KNOW.

518
00:28:29,458 --> 00:28:31,043
SO WHAT'S THE PLAN?

519
00:28:31,084 --> 00:28:34,254
THEO BELIEVES THAT I AM
JUST VISITING A FRIEND,

520
00:28:34,296 --> 00:28:36,423
WHICH IS WHY I'M
GOING IN ALONE.

521
00:28:36,465 --> 00:28:38,050
IT'S THE ONLY WAY.

522
00:28:38,091 --> 00:28:39,385
IF I SPOOK HIM,
THERE IS NO TELLING

523
00:28:39,426 --> 00:28:41,220
HOW HE IS GONNA RESPOND.

524
00:28:41,261 --> 00:28:44,056
I'VE GOT TO GET HIM
AWAY FROM MENDEZ
AND HER FAMILY

525
00:28:44,097 --> 00:28:46,266
BEFORE HE REALIZES
THAT I'M ON TO HIM.

526
00:28:46,308 --> 00:28:47,434
RYAN.

527
00:28:47,476 --> 00:28:49,019
THE REST OF YOU ARE
GONNA SET UP A PERIMETER

528
00:28:49,061 --> 00:28:51,021
AROUND THE OUTSIDE
OF THE PROPERTY.

529
00:28:51,063 --> 00:28:52,939
I WANT YOU TO GIVE ME
10 MINUTES,

530
00:28:52,981 --> 00:28:54,400
10 MINUTES.

531
00:28:54,441 --> 00:28:55,984
IF YOU DON'T HEAR
FROM ME,

532
00:28:56,026 --> 00:28:57,819
YOU COME IN
WEAPONS HOT.

533
00:28:57,861 --> 00:28:59,905
EITHER WAY, THEO
DOES NOT WALK AWAY
FROM THIS AGAIN.

534
00:28:59,946 --> 00:29:01,198
ARE WE CLEAR?

535
00:29:01,240 --> 00:29:02,324
-YES, SIR.
-YES, SIR.

536
00:29:02,366 --> 00:29:03,534
YES, SIR.

537
00:29:05,785 --> 00:29:06,745
-BARTON.
-YEAH?

538
00:29:06,786 --> 00:29:08,205
CAN I BORROW
YOUR WATCH?

539
00:29:08,247 --> 00:29:09,873
OH. YEAH. OF COURSE.

540
00:29:09,915 --> 00:29:12,418
THANKS.

541
00:29:12,459 --> 00:29:13,835
RYAN.

542
00:29:13,877 --> 00:29:15,212
RYAN, WHAT ARE YOU
DOING?

543
00:29:15,254 --> 00:29:16,296
MY JOB.

544
00:29:16,338 --> 00:29:17,297
ALONE?

545
00:29:17,339 --> 00:29:18,882
COME ON, RYAN.

546
00:29:18,924 --> 00:29:20,384
THIS IS RECKLESS
EVEN FOR YOU.

547
00:29:20,426 --> 00:29:22,261
I'M ASKING
FOR 10 MINUTES
TO MAKE SURE

548
00:29:22,302 --> 00:29:23,512
THAT MENDEZ
AND HER FAMILY

549
00:29:23,554 --> 00:29:26,139
ARE OUT
OF HARM'S WAY.

550
00:29:26,181 --> 00:29:27,433
COME ON, MAX.

551
00:29:27,474 --> 00:29:28,892
I OWE HER THAT.

552
00:29:58,130 --> 00:30:00,340
MAKE A SOUND,

553
00:30:00,382 --> 00:30:01,759
AND DAISY CUTS
YOUR WIFE'S THROAT

554
00:30:01,800 --> 00:30:03,594
FROM EAR TO EAR.

555
00:30:29,578 --> 00:30:30,912
EVENING, AGENT HARDY.

556
00:30:33,039 --> 00:30:35,459
HEY, GUYS.

557
00:30:35,501 --> 00:30:36,794
ALL QUIET?

558
00:30:36,834 --> 00:30:38,211
YES, SIR.
NO SIGN OF ANY TROUBLE.

559
00:30:38,253 --> 00:30:39,755
WHAT ABOUT THE FAMILY?

560
00:30:39,797 --> 00:30:41,256
THEY'RE TUCKED IN
SAFE AND SOUND.

561
00:30:41,298 --> 00:30:42,549
COME ON.
I'LL WALK YOU INSIDE.

562
00:31:06,198 --> 00:31:07,115
WHAT HAPPENED?

563
00:31:07,157 --> 00:31:08,784
HE KNEW WE
WEREN'T FBI.

564
00:31:08,826 --> 00:31:09,951
EHHH!

565
00:31:49,115 --> 00:31:50,492
COME ON, THEO.

566
00:31:56,956 --> 00:31:59,835
DON'T EVEN THINK
ABOUT IT.

567
00:32:02,337 --> 00:32:03,422
THEO?

568
00:32:22,190 --> 00:32:23,316
THEO?

569
00:32:47,257 --> 00:32:48,425
AAH!

570
00:32:59,311 --> 00:33:00,813
THEO: GO AHEAD.
KILL HER.

571
00:33:04,316 --> 00:33:05,943
PUT THE GUN DOWN, RYAN.

572
00:33:05,984 --> 00:33:07,945
FIRST, YOU LET THEM GO.

573
00:33:07,985 --> 00:33:10,405
IT--IT'S TAKING
EVERY LAST BIT
OF DISCIPLINE I HAVE

574
00:33:10,447 --> 00:33:12,991
NOT TO KILL
EVERYONE IN HERE.

575
00:33:13,032 --> 00:33:14,117
YOU'LL BE DEAD, TOO.

576
00:33:14,159 --> 00:33:16,662
MAYBE, MAYBE,

577
00:33:16,703 --> 00:33:21,249
BUT, YOU KNOW,
I'M--I'M--I'M
WARMING TO THE IDEA

578
00:33:21,291 --> 00:33:23,710
OF GOING DOWN
IN A FIERY BLAZE
OF GLORY

579
00:33:23,752 --> 00:33:26,045
NOW THAT PENNY'S
DEAD.

580
00:33:29,048 --> 00:33:30,550
LAST CHANCE.

581
00:33:33,386 --> 00:33:34,721
DROP THE GUN.

582
00:33:37,850 --> 00:33:39,016
DO IT.

583
00:33:53,031 --> 00:33:54,491
YOU KILLED KYLE.

584
00:33:56,869 --> 00:33:58,996
DAISY!

585
00:33:59,036 --> 00:34:00,079
DAISY!

586
00:34:16,013 --> 00:34:18,974
DAISY, KILL THEM
AND THE KIDS,

587
00:34:19,016 --> 00:34:20,183
AND THEN YOU'RE FREE.

588
00:34:20,225 --> 00:34:21,935
-NO. NO, NO.
-DO IT.

589
00:34:21,977 --> 00:34:23,520
NO. THE KIDS ARE
IN THE PANIC ROOM.

590
00:34:23,562 --> 00:34:25,438
SOMETHING TELLS ME
THAT THE SCREAMS

591
00:34:25,480 --> 00:34:27,357
OF THEIR PARENTS
WILL CONVINCE THEM

592
00:34:27,399 --> 00:34:29,192
TO OPEN IT UP.

593
00:34:29,234 --> 00:34:30,736
RYAN: NO. YOU
DON'T HAVE TO KILL
THEM, THEO.

594
00:34:30,777 --> 00:34:32,278
YOU GOT ME.
THEY'VE SERVED
YOUR PURPOSE--

595
00:34:32,320 --> 00:34:33,405
OOF!

596
00:34:33,446 --> 00:34:35,198
SAVE YOUR BREATH.

597
00:34:35,240 --> 00:34:37,034
YOU DON'T HAVE MUCH
OF IT LEFT.

598
00:34:39,619 --> 00:34:41,580
THEO: GET HIM UP!

599
00:34:41,621 --> 00:34:43,707
TAKE HIM OUTSIDE.
WE'RE GOING FOR A DRIVE.

600
00:34:48,587 --> 00:34:49,838
GET UP.

601
00:34:49,880 --> 00:34:52,007
YOU DON'T HAVE TO
DO THIS, DAISY.

602
00:34:52,049 --> 00:34:53,216
THIS ISN'T WHO YOU ARE.

603
00:34:53,258 --> 00:34:55,761
YOU DON'T KNOW
ME, OK?

604
00:34:55,802 --> 00:34:57,136
NOW GET UP.

605
00:34:57,178 --> 00:34:59,264
I KNOW YOU'RE NOT
A CHILD KILLER.

606
00:34:59,305 --> 00:35:00,724
I DON'T HAVE
A CHOICE.

607
00:35:00,766 --> 00:35:01,850
NOW MOVE!

608
00:35:01,892 --> 00:35:03,142
OK, OK.

609
00:35:03,184 --> 00:35:04,227
MOVE!

610
00:35:04,269 --> 00:35:05,562
BUT YOU DO.

611
00:35:05,604 --> 00:35:08,273
YOU DO HAVE
A CHOICE, DAISY.

612
00:35:08,314 --> 00:35:11,234
THEY'RE JUST KIDS.
THEY'RE JUST BABIES.

613
00:35:11,276 --> 00:35:12,277
SHUT UP, SHUT UP.

614
00:35:15,447 --> 00:35:16,949
WHAT WOULD KYLE SAY,

615
00:35:16,990 --> 00:35:18,157
HUH, DAISY?

616
00:35:18,199 --> 00:35:19,826
WHAT WOULD KYLE SAY
IF HE KNEW YOU WERE GONNA

617
00:35:19,868 --> 00:35:22,537
KILL TWO CHILDREN?

618
00:35:22,579 --> 00:35:24,122
KYLE IS DEAD!

619
00:35:25,331 --> 00:35:26,541
GINA: NO!

620
00:35:28,167 --> 00:35:30,127
COME ON, BABE.
LET'S GET UPSTAIRS.

621
00:35:37,886 --> 00:35:40,221
ANDREA, OPEN THE DOOR!

622
00:35:40,263 --> 00:35:42,348
ANDREA!

623
00:35:42,390 --> 00:35:43,475
ANDREA,
OPEN THE DOOR!

624
00:35:43,516 --> 00:35:44,893
IT'S MOMMY!

625
00:35:55,988 --> 00:35:58,949
RYAN! RYAN! RYAN!

626
00:36:11,962 --> 00:36:14,506
DAISY'S INSIDE
WITH MENDEZ AND HER FAMILY.

627
00:36:14,547 --> 00:36:15,966
SOMEBODY, GET THESE
OFF OF ME.

628
00:36:16,008 --> 00:36:17,050
-YES, SIR.
-CLEAR THE HOUSE!

629
00:36:17,092 --> 00:36:18,760
-I NEED A WEAPON!
-HERE YOU GO.

630
00:36:18,802 --> 00:36:21,220
ALL RIGHT. YOU GUYS,
WITH ME. LET'S GO!

631
00:38:04,532 --> 00:38:06,701
BARTON: NO SIGN OF THE SUSPECT
ON THE SOUTHERN PERIMETER.

632
00:38:33,561 --> 00:38:36,815
HEY. IT'S ME.
I GOT YOUR MESSAGE.

633
00:38:36,856 --> 00:38:38,984
MIKE'S STABLE FOR NOW.

634
00:38:39,025 --> 00:38:41,319
HIS VITALS ARE
A LITTLE STRONGER.

635
00:38:43,613 --> 00:38:46,783
IT'S A GOOD SIGN.

636
00:38:46,825 --> 00:38:48,326
Woman: ♪ WHY DO STARS... ♪

637
00:38:48,367 --> 00:38:51,328
THE ULTRASOUND WENT GREAT.

638
00:38:51,370 --> 00:38:53,372
MAYBE YOU COULD MAKE
THE NEXT ONE.

639
00:38:55,708 --> 00:38:56,876
BARTON: NO. WAIT.

640
00:38:56,918 --> 00:38:58,628
I THOUGHT I HEARD
SOMETHING.

641
00:38:58,670 --> 00:38:59,921
GWEN: THE DOCTOR SENT ME HOME

642
00:38:59,963 --> 00:39:02,215
WITH A RECORDING
OF THE BABY'S HEARTBEAT.

643
00:39:02,257 --> 00:39:03,424
MAN: YOU GOT
SOMETHING, BARTON?

644
00:39:03,466 --> 00:39:04,467
ALL CLEAR.

645
00:39:13,726 --> 00:39:19,232
GWEN: I THOUGHT YOU
MIGHT LIKE TO HEAR IT, SO...

646
00:39:35,623 --> 00:39:39,336
HE TOOK MY CAR.
HE'S HEADING NORTH.

647
00:39:39,377 --> 00:39:40,712
PUT YOUR HANDS
ON HERE.

648
00:39:40,753 --> 00:39:42,255
KEEP PRESSURE
ON IT, ALL RIGHT?

649
00:39:42,297 --> 00:39:44,341
YOU'RE GOOD.
YOU'RE OK, ALL RIGHT?

650
00:39:44,382 --> 00:39:45,633
I'M GONNA GET
YOU HELP.

651
00:39:45,675 --> 00:39:47,593
I'M GONNA GET YOU
HELP RIGHT NOW.

652
00:39:50,263 --> 00:39:53,766
HELLO. SPECIAL AGENT
RYAN HARDY.

653
00:39:53,808 --> 00:39:55,727
I NEED AN AMBULANCE
RIGHT NOW.

654
00:39:55,768 --> 00:39:58,479
I'M ON A ROAD
SOMEPLACE OUTSIDE

655
00:39:58,521 --> 00:40:02,025
OF--I DON'T KNOW.

656
00:40:02,067 --> 00:40:04,569
WAIT.

657
00:40:04,610 --> 00:40:08,447
WELL, I GUESS THAT'S IT.

658
00:40:08,489 --> 00:40:10,491
HANG ON.
I SEE A SIGN.

659
00:40:10,533 --> 00:40:15,997
IT FELT WRONG TODAY,
YOU NOT BEING THERE.

660
00:40:16,039 --> 00:40:18,041
I MISSED YOU.

661
00:40:19,667 --> 00:40:22,587
IT'S MILE MARKER...

662
00:40:22,628 --> 00:40:24,005
GOOD NIGHT.
